Epifani

This photography project, titled Epifani, aims to question the viewer's aesthetic judgments, blurring the boundaries between beauty and repugnance to draw them into an intellectual encounter. Drawing direct references to the magnificent table compositions of the classical Renaissance and Baroque periods, the project reinterprets this historical tradition with a contemporary conceptual shift.

Directly referencing the opulent table compositions of the classical Renaissance and Baroque periods, the project reinterprets this historical tradition with a contemporary conceptual twist.By bringing together aesthetically flawless and orderly table settings with unsettling living organisms, The visual and perceptual comfort of the viewer is disrupted by the juxtaposition of a table setting that appears aesthetically flawless and orderly with disturbing living organisms.

This deliberate contradiction creates an unsettling awareness alongside visual pleasure. Epifani is not just a table setting, but also a borderline space. At this border, the viewer is invited to confront both aesthetic norms and their own perceptual and moral acceptances. The project draws attention to the fact that art is not only pleasurable, but also disturbing, thought-provoking, and transformative.